Skip directly to content


Post News
  • The older folks who bailed while the show was going strong would disagree, but American Idiot is an accomplished, moving piece of 21st century theater.

    More in the style of shows like Rent, Spring Awakening, The Who’s Tommy or Chess, the show that will be raging and rocking at Broward Center for the Performing Arts through April 6 is even more opera-like in its use of lyrics to convey its loose story and, more pointedly, its characters’ surging emotions. American Idiot is about as far from South Pacific or Oklahoma! as Broadway theater gets; hence, those scattered walkouts.

    Crafted from the

    Filed under:
  • Key to Nirvana's 'Nevermind' was the muscular sound of producer Butch Vig, who made sure the record's guitar packed an all-mighty Herculean punch. The Garbage man has since produced the Smashing Pumpkins, Green Day and Sonic Youth, and continued to work closely with Dave Grohl, helping the Foo Fighters grow into world beaters. A true great? You betcha.

    Full list at NME: HERE

    Filed under:
  • Classic Adeline release on clear neon pink or clear neon green vinyl . Featuring "Waiting" from Green Day's album Warning and an alternate version of the song "Maria". 



    Neon pink is limited to 300

    Neon green is limited to 350

    Side 1: Waiting

    Side 2: Maria

    Pre-order: HERE

    Filed under:
  • A wall of televisions occupies the stage. Each screen plays its own clip, from Hurricane Katrina news coverage to Survivor episode segments. Then, the screens synchronize to play a single video. George W. Bush, in his 2001 address to a joint session of Congress, steps up to the podium and proclaims, “Either you are with us, or you are with the terrorists.” The television sets turn off. The lights dim. American Idiot: The Musical begins.

    Within the first minute of the show, which ran on Broadway for one year and is currently on a national tour, the musical grounds itself in a specific

    Filed under:
  • The show: "These Paper Bullets!", a Yale Repertory Theatre production at the University Theatre in New Haven.

    What makes it special?: World premiere of Rolin Jones' "modish rip-off of William Shakespeare's 'Much Ado About Nothing,' " with new songs by Green Day's Billie Joe Armstrong.

    First impressions?: Taking the Bard's romantic comedy and setting it in London in the '60s and centering on a wildly popular rock band (think Beatles) may sound like an audacious idea and, well, it is. But it somehow, improbably, delightfully works in what is the most playful, exuberant show of the season.

    Filed under: